Contemporary Song choices for the Transfiguration of Our Lord

Scripture References:

Mt 17:1-13, Mk 9:2-13, 2 Cor 3:12-4:2, Ex 24:12, 15-18, 2 Peter 1:16-21, 2 Cor 4:3-6. Ex 34:29-35, Ps 148, Lk 9:28-36, 2 Ki 2:1-12

Contemporary Song choices for the Transfiguration   of Our Lord

Song Title Author / Songbook Comments
Did You Feel the Mountains Tremble? Martin Smith BOB #45 Ref. Ps 148:7 Good congregation song & fun to play/sing (we lower  the key by a half step due to the bridge)
A Mighty Fortress Christy and Nathan Nockels Ref Ex 24:17 Congregation Song with Beautiful piano music
Jesus, Take Us to the Mountain LAPPY 162 and CWS712 Ref. Mt 17:1-13, Mk 9:2-13, Lk 9:28-36 and 2 Pe 1:16-18
Tune: Silver Spring
Once on a Mountaintop LAPPY 231  
Speak, O Lord http://www.gettymusic.com/USA-sheetmusic.aspx Keith GettyCWS 735 Ref. 2 Cor 3:18Good congregational song
You, Lord, Are both Lamb and Shepherd CWS746 (especially Vs 2) Ref. Mt 17:1-13, Mk 9:2-13, Lk 9:28-36 and 2 Pe 1:16-18
Tune: Picardy

Great Hymns:  “With Trembling Awe the ChosenThree”
“Down from the Mount of Glory “ (CW 97)*
“How Good, Lord, to be Here” (CW#95)*
* These hymns lend themselves to guitar/piano accompaniment.

These are all good sites to find music:
www.worshiptogether.com
www.musicnotes.com
www.sheetmusicplus.com
www.praisecharts.com
www.lifewayworship.com

Dear fellow WELS and ELS members, as promised, here are the results from my recent poll on worship music style within our Synods. 

First I would like to thank all of those who have participated and may God bless each of your congregation’s richly through your eagerness to improve your worship and musical offerings – whichever style you choose to use. 

The biggest surprise to me in the poll results was the extent to which contemporary music is being used within the WELS and ELS churches today.  According to my survey results: 

23% use only hymns accompanied by the organ
77% use acoustic guitar and piano on at least some of their music
12.5% don’t even own an organ. 

This is mind boggling to me but I suspect these numbers represent more of the WELS/ELS audience that view my BLOG as opposed to our Synods as a whole but nonetheless, this is data that can not and should not be ignored by our Synod offices.  In my opinion, the Worship Supplement was an incredible step in the right direction but we need more resources, more training, and more education to go along with all of the newer music and different forms of accompaniment that our congregations are moving toward. 

Here are the complete numerical results to date:  

  Votes Percent Declining Maintaining Growing
1. We still only use the old blue hymnals. 1 2.1% 0 1 0
2. None, CW hymns sung along with organ accompaniment.  6.45%  (2 votes) 2 4.2% 1 0 1
3. CW hymns & a few new hymns from the Supplement,
but still all accompanied with the organ.
6 12.5% 2 0 1
4. CW hymns, Supplement hymns, and GIA pieces,
all accompanied with the organ.
2 4.2% 1 0 0
5. CW hymns, Supplement hymns, and GIA pieces,
accompanied with the organ or a limited praise band (piano and acoustic guitar – no drums).
4 8.3% 0 2 2
6. CW hymns, Supplement hymns, GIA pieces,
and the LAPPY or equivalent songbooks accompanied with the organ or a limited praise band (piano and acoustic guitar – no drums).
10 20.8% 0 1 9
7. We are blended. We use hymns and contemporary songs, praise bands and organs depending on the particular song style. The praise band can have drums, bass guitars and electric guitars. 15 31.3% 0 0 14
8. We offer both traditional and contemporary services
each week.
2 4.2% 0 0 2
9. We only use contemporary music with praise band
accompaniment (piano, drums, electric guitars, bass guitar, etc.). We don’t even own an organ.
6 12.5% 0 0 5
           
Total: 48        

The reported results in terms of growth for those churches using newer music are extremely encouraging to say the least.  God be praised! 

So here are a few things that would be great from our Synod Offices and Publishing Houses in 2012 and beyond: 

  1. A new contemporary songbook to replace LAPPY.  LAPPY was fine for it’s time but its lack of guitar chords on many of the songs is inexcusable today.  Plus, contemporary music by definition is new and fresh.  These types of songbooks need to be revised every ten years or sooner.  They have a much shorter life than hymnals by their very nature.
  2. A supplement to our “Christian Worship” hymnbook that contains chords to all the hymns that lend themselves to a modern style of accompaniment.
  3. Some new “orders of service” for use with contemporary musical styles.  These would be alternate settings that do not rely solely on the organ for accompaniment.
  4. Some emphasis on our own gifted musicians (for example Koine’ and the Branches Band), maybe using their arrangements in a song book. 
  5. More encouragement, acceptance and resources for musicians that play contemporary instruments like the drums, keyboards/piano, bass guitar and electric/acoustic guitars.  These instruments need to be part of our Synod’s “Worship and Arts” conferences.
  6. Articles in the “Forward in Christ” magazine and the “WELS Connection” videos demonstrating the best uses of well written contemporary music and the positive effects that they are having in our Synod and reaching out to the lost.
  7. Articles in the “Forward in Christ” magazine and the “WELS Connection” videos on what’s happening in churches within the Synod that are trying new worship formats and styles. 
  8. A committee defined and created to be tasked with looking for good contemporary music; both musically and lyrically, with our Lectionary calendar in mind. 

Hopeful thinking, yes, but we do need this and I pray for the Lord’s blessings to make this at least get some exposure. 

“Lift up the voice and strike the string, Let all glad sounds of music ring, In God’s praises blended.”  – CW79 vs 5

 

 

Finding contemporary music to match the day’s worship theme is not easy, especially if you need to find four or five songs per Sunday.  You can make this a little easier by making sure that the hymn of the day (HOTD) is a tight match to the  readings but the opening song and closing song in particular can have themes to match their purpose.  For example, here are three songs to use as a close to your worship service.  All three have beautiful closing/blessing messages, are corporate  friendly for singing and if you have blended worship services on a monthly basis, you can reuse these throughout the year.  Now one of your song choices is already done.

“Peace be Yours” by Blair A’Hearn (BOB #83)
“May the Peace of God” by Keith Getty & Stuart Townend (CWS 745)
“Go Out as people of God” by Gloria Lien (BOB #69)

  • Hotd (sjbrown58.wordpress.com)

Do More than Tap Your Foot

Posted: January 6, 2012 in Theory
Tags:

I have mentioned in the past that timing is critical when it comes to accompanying congregational music.  Bad timing is the biggest reason why a particular song might not be working in a live setting.  Bad timing separates beginners from seasoned artists.

One of the first things I look for in any song that I play is the time signature and the tempo.  I am also a foot tapper.  But the thing is, I do more than tap my foot to keep myself in time and in the groove.  If I am playing in 2/4 or 4/4; I will tap my foot either “forward, back, back, back or forward, back, forward, back.”  Literally, my foot not only taps in time but it also moves forward or backward depending on the time signature.  This helps me to keep the groove.  For ¾ or 6/8 time, I will tap “forward, back, back, forward, back, back.”  When my foot is moving forward – I emphasize the beat, when it is going back I do not emphasize.  It’s like a clock.  Sometimes while practicing at home I will even place a tambourine on the floor in the forward position so that my foot plays the percussion on the emphasized beats.

This trick may or may not work for you but the point is that you need to find something to keep you in the groove.  Your band and the congregation will be appreciative if you do.

We are Heirs

Posted: January 3, 2012 in New Testament

A responsive reading based on what is bequeathed to us:

M:        Listen, my dear brothers: Has not God chosen those who are poor in the eyes of the world to be rich in faith and to inherit the kingdom he promised those who love him?
C:        We are heirs of the kingdom (James 2:5)

M:        Do not repay evil with evil or insult with insult, but with blessing, because to this you were called so that you may inherit a blessing.
C:        We are heirs of a special blessing (1 Peter 3:9)

M:        And everyone who has left houses or brothers or sisters or father or mother or children or fields for my sake will receive a hundred times as much and will inherit eternal life.
C:        We are heirs of eternal life (Matt. 19:29)

M:        Are not all angels ministering spirits sent to serve those who will inherit salvation?
C:        We are heirs of salvation (Heb. 1:14)

M:        Because God wanted to make the unchanging nature of his purpose very clear to the heirs of what was promised, he confirmed it with an oath.
C:        We are heirs of God’s promises (Heb. 6:17)

M:        He who overcomes will inherit all this, and I will be his God and he will be my son.
C:        We are heirs of many things (Rev. 21:7)

M:        Therefore you are no longer a slave but a son, and if a son, then an heir of God through Christ. (Galatians 4:7)

Scripture taken from the Holy Bible, New International Version, Copyright© 1973, 1978, 1984 by International Bible Society.  Used by permission of International Bible Society

Here’s a listing of some great contemporary pieces to use during the season of Epiphany: 

Epiphany Music

Title / Author Sheet Music Source Comments
One Small ChildDavid Meece LAPPY Songbook #232 Good congregational song
Joy has Dawned
Stuart Townend & Keith Getty
www.gettymusic.com  Good congregational song
(mentions the wise men & their gifts)
Offering (Christmas Version)
Paul Baloche
www.leadworship.com  Band piece
(mentions the wise men)
Shine Jesus Shine
Graham Kendrick
Best of the Best Songbook #204
also LAPPY #270
Good congregational song
Christ has Come
Kirk Kirkland & Phillip Keveren
  Lk 2:8-16, Mt 2:1-11
How Suddenly a baby Cries,
- and -
All Forever ChangeKeith Getty
www.gettymusic.com  Mt 2:1-12, Lk 2:8-19 & 25-38

Most of these songs can be purchased at the following sites unless noted otherwise: 

www.worshiptogether.com
www.musicnotes.com
www.sheetmusicplus.com
www.praisecharts.com
www.lifewayworship.com

Son of Adam, Son of heaven,
Given as a ransom,
Reconciling God to man,
Christ our mighty champion!
What a savior, what a friend!
What a glorious mystery!
Once a babe inBethlehem,
Now the Lord of Histroy.
-“Joy has Dawned” by Keith Getty (last verse) 

Lyrics just don’t get much better than that!

Why not place a card at each seat for your family dinner tonight or tomorrow  to recite grace together?

Print something like this:

 

Lord, Jesus, be our   Holy guest,

our morning joy,   our evening rest.

And with our daily   bread impart;

Your love and peace to every heart.

Amen.

Lord, Jesus, be our   Holy guest,

our morning joy,   our evening rest.

And with our daily   bread impart;

Your love and peace   to every heart.

Amen.

Lord, Jesus, be our   Holy guest,

our morning joy,   our evening rest.

And with our daily   bread impart;

Your love and peace   to every heart.

Amen.

Lord, Jesus, be our   Holy guest,

our morning joy,   our evening rest.

And with our daily   bread impart;

Your love and peace   to every heart.

Amen.

Lord, Jesus, be our   Holy guest,

our morning joy,   our evening rest.

And with our daily   bread impart;

Your love and peace   to every heart.

Amen.

Lord, Jesus, be our   Holy guest,

our morning joy,   our evening rest.

And with our daily   bread impart;

Your love and peace   to every heart.

Amen.

Lord, Jesus, be our   Holy guest,

our morning joy,   our evening rest.

And with our daily   bread impart;

Your love and peace   to every heart.

Amen.

Lord, Jesus, be our   Holy guest,

our morning joy,   our evening rest.

And with our daily   bread impart;

Your love and peace   to every heart.

Amen.

Lord, Jesus, be our   Holy guest,

our morning joy,   our evening rest.

And with our daily   bread impart;

Your love and peace   to every heart.

Amen.

Lord, Jesus, be our   Holy guest,

our morning joy,   our evening rest.

And with our daily   bread impart;

Your love and peace   to every heart.

Amen.

Lord, Jesus, be our   Holy guest,

our morning joy,   our evening rest.

And with our daily   bread impart;

Your love and peace   to every heart.

Amen.

Lord, Jesus, be our   Holy guest,

our morning joy,   our evening rest.

And with our daily   bread impart;

Your love and peace   to every heart.

Amen.

Lord, Jesus, be our   Holy guest,

our morning joy,   our evening rest.

And with our daily   bread impart;

Your love and peace   to every heart.

Amen.

Lord, Jesus, be our   Holy guest,

our morning joy,   our evening rest.

And with our daily   bread impart;

Your love and peace   to every heart.

Amen.

Lord, Jesus, be our   Holy guest,

our morning joy,   our evening rest.

And with our daily   bread impart;

Your love and peace   to every heart.

Amen.

Lord, Jesus, be our   Holy guest,

our morning joy,   our evening rest.

And with our daily   bread impart;

Your love and peace   to every heart.

Amen.

Lord, Jesus, be our   Holy guest,

our morning joy,   our evening rest.

And with our daily   bread impart;

Your love and peace   to every heart.

Amen.

Lord, Jesus, be our   Holy guest,

our morning joy,   our evening rest.

And with our daily   bread impart;

Your love and peace   to every heart.

Amen.

Traditional Christian Grace

Jesus is the Ultimate Healer

Posted: December 20, 2011 in Steve Brown

Pray for someone who needs it today!

Jesus,

Only you can cure by simply saying a few precious words.
Only you can cure using ordinary materials such as saliva and mud.
Only you have completely healed the lepers, the crippled, the chronic bleeders and the blind; in fact many times.
Only you have brought complete hearing back to the deaf and sight to the blind.
Only you can heal those who just touch your cloak.
Only you have brought three dead people back to life; four including yourself.

Jesus, it is you.
You are our comfort, our peace and our strength.
You give the gift and the talents to our doctors and surgeons.
You give the wisdom and the brain power to the researchers hunting for the next cure.
You give a caring heart to those who tend to our hurts and wounds.
You are the ultimate healer.

So Jesus, please heal ( _______ ) now.  Guide and bless their doctors and bring comfort to all those who are under stress as a result of a disease or illness or the health of a loved one.

We pray this in your beautiful name – Jesus.  Our savior.

Amen.

WELS  and ELS Worship Polls

Please WELS, ELS & CELC Lutheran responders only.  The following polling answers are listed in increasing order of being “contemporary” in your worship musical offerings.  Please check only one.  All responses are anonymous.

To what extent, if any, are you using contemporary music?  Let’s define contemporary music as being written in the last 20 years.

Now, note your numbered response from the above poll and click on the phrase “take our survey!”  button below to answer one more important question.

When you are done, click the “FINISH SURVEY” button.  I’ll post the results at a future date, or, you can check back yourself.

Please consider sending this to your WELS friends so that we can get as many responses as possible.  Here’s  a quick link to email to a friend:

http://wp.me/pgUar-1aH

Thank you for your time in completing this short survey and may our Synods be blessed by the results.

-Steve

Magic with the SUS4 Chord

Posted: December 9, 2011 in Theory

Magic with the SUS4 Chord 

A suspended 4 chord (sus4) is formed by taking a major chord and replacing the third with a forth.  The formula is therefore 1,4,5. 

There’s a really neat trick to play these.  We will use the F chord as an example but the pattern is easily moved up the neck to form all the other chords which will be shown later. 

The trick involves using only a triad and adding just one finger to change the chord from the major to the sus4. 

Here’s the example using the F major chord:

Play the major F triad as follows:

 

Your third finger should be on the root F note (forth string, third fret).
Your second finger should be on the A note (third string, second fret).
Your first finger should be on the C note (second string, first fret).

Just strike the three strings that are covered by your fingers.  It should sound like a nice crisp F chord.

Next use your pinky to cover the third string third fret.  This changes the A note to a Bb which changes the third into a forth.

Practice changing quickly from the F to the Fsus4 by just adding that pinky.  Keep the other fingers in place behind it.  Just play those three covered strings and keep practicing the change:
|| F / / / | Fsus4 / / / | F / / / | Fsus4 / / / | F / / / | Fsus4 / / / | F / / / ||

Play it as quickly and evenly as you can.

Now that you’ve got that down, move it up the neck to play all the other chords.  Here’s the fret patterns:

F to Fsus4:      xx321x   to  xx331x
F# to F#sus4:  xx432x   to  xx442x
G to Gsus4:     xx543x   to  xx553x
Ab to Absus4: xx654x   to  xx664x
A to Asus4:     xx765x   to  xx775x
Bb to Bbsus4: xx876x   to  xx886x
B to Bsus4:     xx987x   to  xx997x
C to Csus4:     xx10-9-8x   to  xx10-10-8x
Db to Dbsus4: xx11-10-9x   to  xx11-11-9x
D to Dsus4:     xx12-11-10x   to  xx12-12-10x
Eb to Ebsus4:  xx13-12-11x   to  xx13-13-11x
E to Esus4:      xx14-13-12x   to  xx14-14-12x

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